Every new expedition produces different challenges and distractions however hard you plan to avoid them. Today Norrie set off to deliver my car to the islands of Shetland. Rather than hire a car I decided it would be better to take my own, partly as a shelter to nest in and partly because I am liable to make a mess; after all I am painting. Shetland is on a latitude with Norway. The sailing is long and often rough. I suffer from seasickness. I am continually amazed by the kindness of my husband and after several people volunteered to help me with car delivery, Norrie stepped forward. As a result I can fly tomorrow and so we planned a quiet weekend away from it all, armed with binoculars to look for puffins and enjoy thirty-six hours on our own. Imagine my surprise therefore, to receive a phone call when Norrie could not have got any further than the A9 driving towards Granton on Spay and on to Aberdeen. There is no floor in the bathroom of the Studio I have rented and so I have been booked into a Bed and Breakfast.
Packing this evening, ready to leave Eigg in the morning, I listened to the six o’clock news on Radio 4. You can only imagine my surprise and delight when as almost the last feature, came an obituary of a very dear old friend whom I knew before moving to Scotland. In my previous life I made gardens and lived in the town of Bradford on Avon. I met this lovely man when his wife invited me to make them a garden and they both became the closest of friends. Sadly Hilary died first and after that I enjoyed the warmth and friendship Dick generously gave; he was inspiration in many ways. His interest in education fitted well with my experience at a progressive school, somewhere he knew quite well. To remember him this evening as the inspiration to Professor Hawking in the week when they are nominating the best teacher in the world, was quite amazing!
Thanks to Norrie for taking these lovely photographs.
Before I leave I thought I would finish with this lovely film of Highland landscape that I found whilst surfing the net on a wet afternoon, thinking of landscape.
Four days of wet weather produced a different challenge. Instead of overcoming the frustration of the time it took to walk to each location and therefore the size of the work I was able to make, I was faced with the new problem of how to keep the work dry. More importantly, how to get it dry in the first place. My preference has always been to work wet on wet, whether with watercolour, ink or pigment and so I begin by soaking a piece of paper. By the time I have applied coats of water-soluble medium to the surface it is saturated and usually takes ages to dry. As an aside, this means that I need a robust surface to work on and am therefore using 320gm Arches NOT watercolour paper at the moment. The decision is a balance between affordability and strength and I am constantly amazed at the punishment you can give a sheet of Arches and it still doesn’t tear or rub into holes. Spend too much on a sheet of paper and it puts an unseen break on the flow of my creativity.
So here I am with a saturated surface in the unpredictability of heavy snow, hail or rain showers and the challenge becomes how to get the work home. You can imagine, with my impatient nature and a wonky thermostat (which means I am always cold) I soon run out of patience in a climate approaching 98% humidity and so decide to stuff the work into a bag and stomp home. But out of circumstance, happy accidents can happen and on reaching shelter, the image was completely lost but something else appeared.
As I have described elsewhere, Eigg has encouraged me to engage with Geology, at least superficially and given the way that stone was once molten, erosion demolished mountains and lava flows became ridges, I have looked for a visual equivalent with which to describe the process. Molten graphite offers a possibility and so my deconstructed drawings became an opportunity.
I have been on Eigg for a week and have been extremely lucky that it has been dry, sunny and crisp until yesterday. After a winter of unusually wet weather, even for the west coast of Scotland, it feels as if I have struck gold with the rain stopping and instead, there has been a beautiful golden light that has bathed the island and cast inky black shadows. It is also interesting in different ways. Obviously it has made my visit much more pleasant. I have been able to work outside for several hours at a time and to explore the island on foot without getting too cold or wet. The chill factor in the wind has allowed me about two hours at an exposed site but on Sunday I was able to work outside for six, which is long enough for February. I came home with a bright red face so must have caught the sun; luckily my rosy cheeks have faded! After such a dismal six months of wetwetwet it is amazing how quickly the mind forgets the ordeal once outside, bathed in a stronger light. It’s almost as if the brain plays a trick because along with a change in the light comes total forgetfulness of what we have just had and instead a heartwarming celebration of what we have now, a re remembering of why I live in this part of the world and a re connection with how beautiful it is. A good way to start an intensive period of creativity.
The week has been taken up with feeling my way into a response, seeking a subject and a language with which to describe it.Within the first half day it was obvious that the iconic feature about the physicality of Eigg is its geology. It is clearly not the only feature of importance and must be the obvious response of every casual visitor. However, I am not here for very long and the geology is remarkable. An extension of the Giants Causeway and Fingal’s Cave on the isle of Staffa, it is a geological phenomena. An Sgurr is a crest of a hill made from extraordinarily hard rock, Pitchstone, the broken surface of which looks like glass. From the cursory reading I have done, the stone is younger than others on the island but being so much harder than the surrounding basalt which has been heavily eroded by the ice-age, it has left the Pitchstone ridge standing proud of its surroundings and the iconic feature we all recognise from afar. It is constructed from hexagonal columns, so consistent that it is like looking at an enlarged three-dimensional honeycomb. In the surrounding landscape there are giant boulders more like shattered remnants of a cathedral than a natural creation. The rocks have rolled down towards the sea, and those without sufficient momentum, lie abandoned with their architecture jutting out at unexpected angles. People then settled the land, a brown fertile basalt soil and using fragments of the stone, built simple dwellings amount the giants rubble, joining blocks together with carefully constructed dry stone dykes that sit like delicate necklaces enclosing small yards or fields surrounding the remains of each blackhouse. Sunday was the second visit and my landlord, Eric, was kind enough to give me a lift with all my kit, leaving me only one way to walk home. On closer inspection I noticed the black houses had no chimney at either end unlike the derelict crofts I had explored on Tiree or elsewhere. Maybe the ones on Tiree were later but with no flue it implies that the houses here on Eigg had a fire in the middle of the floor and so no real way of drawing the smoke away from the building and the family that lived within. They must have become kippered and imagine the chest complaints that would have developed in such an atmosphere? There is no doubt that the existence must have been unremittingly hard, scratching a living from the land and sea but it has left a hauntingly beautiful place full of atmosphere and possible ghosts.
I spent the day there alone, saw no one and felt held by the land and reassured by the structures, the ruins of ancient homes. The only life I witnessed was that of the pregnant sheep to whom I talked and they got used to my presence and grazed quite near. I also listened the conversation of a pair of Ravens who seemed preoccupied with preparing for busy times ahead, and most intriguing of all, witnessed a pair of very large brown birds, (Eric suggests they might have been Golden Eagles,) literally taking to each other in an unrecoginsed call, moving from perch to perch in unison until they took off into the thermals at the cliff edge and moved out of sight. Not before a Hooded Crow became alarmed at their proximity and started bombing them to encourage them to move further on. I wonder if they were Golden Eagles, it was a fascinating sight? I thought at first they must be buzzards but one flew by at the same time and the scale was quite different. The one thing I missed was the Hump Back Whale reported to Eric by a boatman. (I have never seen a Whale and would love to do so) The Whale had been sighted in the sound between Eigg and Muck two days earlier and apparently is easily identifiable because they makes a lot of splashing whilst feeding. Sadly, he was not there for me to see or hear last Sunday.