More Night Painting.

Having made a decision not to edit my palette monochromatically, I am selecting the materials by tone. The hue of the material is part of the decision, made differently.

I divide an assortment of oil pastels into three tins, Dark, Mid and Light tones, all marked on the lid for identification in the gloaming. The Hue will not be visible whilst I’m working so you may wonder what I’m doing? After a few experiments I have discovered that the sensory deprivation of not being able to use my eyes to gather the usual information about the subject, has unexpectly led me to a more spontaneous way of working. It is literally as if I have tricked myself into being less self conscious and more intuitive. A resetting of creativity embracing chance perhaps?

So far I have enjoyed the unexpected and am now playing to it when I make my selection and pack my bag. Red mountains or an orange sea carry a potent symbolism and lead me to the much loved painting of Emile Nolde, someone whose work I have admired for forty five years.

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